An Ancient Norse view on our fatality and immortality...

It is interesting to study Norse mythology and history, and perhaps to see how it applies or might apply to your own life.

In reading Kevin Crossley-Holland’s The Penguin Book of Norse Myths, which I initially thought would be lacking in substance, I have found many interesting insights and references. Although I felt that not all areas and godfolk were covered as they should be and disagreed with some observations, other areas caught my attention and intrigued me.

With regards to how we live our lives and the import of our reputation succeeding us after we have left this particular plain of existence, I recognised many things which perhaps explain my own attitudes and actions to a degree.

The Hávamál is quoted as saying: ‘Cattle die, kinsmen die, I myself shall die, but there is one thing I know never dies: the reputation we leave behind at our deaths.’

“Since men who become embittered never win respect or admiration, those who sought fame did not rail at the undoubted hardship of their lives and the inevitability of death. Rather, they endured it or, even better, laughed at it.” (Kevin Crossley-Holland)

Endure and laugh rather than give in and weep.

A quote from H.R. Ellis Davidson regards the ancient ‘Norse attitudes toward an awareness of fate which is reflected in Norse Mythology:

“…but they would fight on as long as they could, since life was well worth while. Men knew that the gods whom they served could not give them freedom from danger and calamity, and they did not demand that they should. We find in the myths no sense of bitterness at the harshness and unfairness of life, but rather a spirit of heroic resignation: humanity is born to trouble, but courage, adventure, and the wonders of life are great matters for thankfulness, to be enjoyed while life is still granted to us. The great gifts of the gods were readiness to face the world as it was, the luck that sustains men in tight places, and the opportunity to win that glory which alone can outlive death.”

None of us can ever know until we die if there is an afterlife. Even then, would we be aware of our former existence? I think to a degree many people crave ‘immortality’ and to leave a memory of ourselves which will transcend our leaving this plain of existence.

I think most people who strive for recognition and have this burning desire to leave a mark on this ‘world’ wish to leave a mark which those left behind and those in the future recognise and will remember.

I believe this is very true in my case. I want to be remembered for my achievements, my actions, my individuality and my life’s tale. Be it my writing, the things I have created, who I am. I do not want to be forgotten, not only by those I know and love, but by the wider world. I strive to leave a permanent mark for those left behind and those in future generations. Perhaps some achievements will be anonymous, as in the designs we create for The Silver Bough now possessed by our customers but I am still there with them.

We make our marks as we will. Many of us want to be remembered…most of us want to be remembered well.

One day all that will be left is that memory for present and future generations, that recognition and perhaps the person’s name behind those memories. That is the stuff of stories for the future and for those inspired by us perhaps, long after we have left.

The Silver Bough's Summer Solstice Deal

To celebrate the Summer Solstice, The Silver Bough is pleased to announce that from now until August 31st we are offering free postage on all silver items anywhere in the World.

In addition, from now until Midnight on August 31st (UK time), every purchase of a silver item from The Silver Bough's online shop will entitle the buyer to one entry in our Summer Solstice prize draw. 

On September 1st we will draw the winner at random from a list of all customers who have been entered into the draw. The prize draw winner will be announced on 2 September 2012 (this accommodates international friends).

The first name drawn out will win a small "Sól" rune made from fine silver, hung with a leather cord and presented in a velvet display box.

Sól signifies Sun, A rune of light, fire and happiness, symbolizing power, joy and success.

The image below shows the actual prize that the lucky winner will receive.

The Silver Bough launches... A Silver Bough

Silver Bough Pendant

We are pleased to introduce our new Silver Bough pendant. Our namesake and trademark. The first Silver Bough we created from a branch I found and which I painstakingly coated slowly again and again with silver to build up a 'shell'. This of course means the piece is hollow and because the wood fires very hot involves much work to get it perfect. Unfortunately when you use this technique, although the ‘branch’ is preserved forever in its silver coat, it cannot be replicated. This first Silver Bough I wear as I should.

However the second Silver Bough was moulded from another branch and is solid fine silver. It is very beautiful. The ring at the back was added afterwards and again hand crafted in order to flow with the actual branch. This involved a great deal of work but was worth it. As with every pendant we design, we create each piece individually and it will be unique. These pieces are entirely hand crafted and finished by hand so there are no electric tools involved. This is a long, slow process requiring a great deal of patience. Thankfully we are patient (with our work at least).

Silver Bough

The Silver Bough - History

The poets (fili) were part of the caste of the druid class (scholars, priests, judges, etc). These fili were closely in touch with the Otherworld. The chief symbol or regalia of their office was the musical bough which they carried in their possession.

The highest order of this class, the Ollamh, was entitled to a golden bough, the Anruth (second highest) a silver bough and finally the lower classes, a bronze bough. These branches were hung with bells which rang when they rode or entered a hall, disposing listeners to attend to their songs, stories and mystical revelations.

The most famous of the Anruth was the Welsh Taliesan. Although according to legend he was made the Chief Ollamh and head of the Council by his foster grandfather/father Gwynudd, he did not carry the golden bough but preferred the silver bough.

Thus through the symbolism of the Silver Bough, its attending cycles of song, poetry, story and mysticism, our company The Silver Bough adopted its name.

For Writers, Poets, Musicians And Those Who Know And Love These Unique And Wonderful Souls

This symbol is perfect for poets, story tellers and musicians or simply those who love and appreciate Celtic/Welsh myths/history.

May you carry or wear a Silver Bough and for those of you who qualify (at least in your hearts, souls and minds) for the above and have the gift of a silver tongue, may you enrich this world.

Best luck, a good dose of Magik and maintain an ancient tradition.

The Silver Bough

New Designs from The Silver Bough

The Silver Bough is happy to soon be introducing new pendant designs in fine silver.

We’ve been working hard to come up with new thoughts and ideas to offer to our wonderful public.

Currently we have put a silver Troll Cross up in our shop which is beautiful and has been receiving excellent reviews. Troll Crosses were originally ancient Norse amulets made in iron to protect against Trolls and Elves (as if we’d want to). Iron is traditionally abhorrent and dangerous to the faerie folk – not your usual traditional pretty little winged creatures but a race of peoples who do not follow the laws and morals of us mortals but adhere to their own laws which often has included some which can be defensive against the folk (us).

Our Troll Crosses are made of silver which means we cannot guarantee that any Trolls or Elves will be repelled but still they are beautiful.

Silver Troll Cross

Our second completed design is a stylised silver serpent. It is very fluid and loosely based on an actual artefact.  This serpent has a concealed ‘D’ ring behind his head which hangs beautifully on a cord (which we supply).

Silver Serpent Pendant

We have also made models for a new original design of a serpent. This delicate, smooth, flowing creature will be perfect as either a small pendant or a pair of earrings.

The second model is a simple Mjolnir (again based on an artefact) which will hang again with a concealed ‘D’ ring. This will reflect the Silver Bough's use of simplicity and fluidity creating a pendant which is tactile, simple and stylistic in nature.

The final model we have created was inspired by myself going mad at an odd hour of the night. Inspiration or a kick from my ‘muse’. Think I know who he is in this case.

Based again on my interpretation of Norse and Celtic wolf designs, we’ve created a rather complicated Fenris Wolf head, son of Loki and Angraboda of Norse Mythology. He is mean and meant to look that way which is reflected in the hours of sculpting and modelling. We hope to offer this pendant soon in silver. Any requests are welcome.

All of our new designs are inspired by artefacts and designs from the past and mythology.

And we’ve worked on our Silver Boughs. One made from layering silver on a tiny wooden bough – a one off. One moulded from again a natural tiny bough, which unlike the first is solid fine silver. Again, these are made with concealed hanging rings at the back.

More to follow.

Everything we make is in its way unique. There will be no two designs which are the same.

We hope you will like them.

Many thanks to Joanne Harris http://joanne-harris.co.uk/v3site/books/index.html for friendship and inspiration, Karl Seigfried http://www.norsemyth.org/ for support and interesting articles, of course to the Prose Edda and Poetic Edda for much of our inspiration and to all the love of Celtic and Norse mythology and history which we have the pleasure of offering to a wider scope of understanding and mutual lovers of our wonderful past.

Aesk Rune Pendant

Norse Dragon Pendant

Algiz Rune Pendant

Jera Rune Pendant

Yggdrasil Card

Thurisaz Rune Pendant

Kaen Rune Pendant

Sol Rune Pendant

One of Loki's Best Gigs

'Loki' B Mara 2012

An inspiration from my favourite Norse ‘God’ who apparently inspired and motivated me. One of my favourite Norse Myths:

 Norse Myth (and Loki) enthusiasts and never to ignore those followers of Joanne Harris’ Runemarks and Runelight, the following is one of my favourite tales:

THJAZI, LOKI, SKADI AND A GOAT

According to Bragi:

Odin, Loki and Hoenir once travelled from home (Asgard). They crossed the mountains and deserts beyond. They found very little food and were hungry.

They came to a field of oxen and killing one, they cooked it. Although they continually broke open the cooking pit the oxen never seemed to properly cook and the meat was raw. After discussing the cause, they heard a voice coming from a nearby oak tree. A large eagle perched there.

The eagle said: “If you will give me my fill of the meat, it will cook.”

It was agreed and the eagle ate more than its fill.

However Loki took exception to this and picking up a large stick, with all of his strength, he struck the Eagle.

Unfortunately for Loki, the stick stuck firmly in the eagle’s body and it bore him away. Terrified, Loki’s feet hung at times hundreds of feet over the ground but worse, brushed the ground, the rocks and the sharp stumps and branches of trees. Loki held on but realised this was certainly not a good position to be in. He feared his arms would be pulled from their sockets or he would be torn apart by the rocks and trees… He dared not let go of the stick.

Loki finally cried out to the eagle and begged for mercy. The eagle in reply said that Loki would face an unfortunate situation or death unless he gave an oath that he would deliver the goddess Idun, out of Asgard, with her apples of youth, to the eagle.

An oath was unbreakable. The consequences would be extreme if an oath was broken.

Loki was set free and returned to his companions, but kept his secret.

Shortly after he enticed Idun into leaving Asgard and going into the forests in order, as he said, to procure apples rarer and more worthy then the apples of youth she collected. He cajoled Idun into following him.

The eagle returned immediately in the form of Thjazi (a Jotun or giant) who seized Idun and bore her away.

When Idun was seen as missing, and obvious culprit was Loki, (as always right or wrong) the gods seized Loki. They attacked Loki and threatened him with torture, dismemberment and death. Idun’s presence was cherished. not only as a beloved goddess but also as the one who kept the gods from old age with her apples. was invaluable.

Loki knew that this was no bluff and had no desire for the consequences the Gods promised him. He therefore took a falcon shape (being a shape shifter, and in some versions having borrowed Freya's falcon cloak) and flew into the Giant’s (Jotunheim) land. The Jotun, Thjazi was away at sea and Loki was able to find Idun and transform her into a nut, and therefore within his talons, Loki bore Idun back to Asgard.

Upon returning Thjazi immediately noted the disappearance of Idun. In fury, he transformed once again into an eagle and flew to Asgard.

The Aesir, knowing Loki’s success in saving Idun, saw Thjazi in his guise of an eagle and had prepared. Wood shavings lined the walls of the fortress and were lit. The eagle, Thjazi, dived and could not stop before he met with the flames which ignited his falcon feathers. Therefore, although there was great peril for the Aesir, Thjazi was consumed by the flames and died.

Of course Thjazi’s daughter Skadi was overwhelmed with grief and vengeance, and donned her mail. She approached the Aesir and demanded an apology and compensation. The Aesir offered Skadi reconciliation and compensation. They told her to choose from amongst the Aesir a husband. Skadi’s fault, despite being a warrior and a hunter, was that like most women, she desired Baldr – son of Frigg, Odin’s wife. Baldr was considered the fairest of men. Skadi faced the line up. Nothing but the feet of the men was exposed. Skadi thought Baldr MUST have the fairest feet of all.


Skadi was mistaken. Njord (or Noatun), god of the sea, an old man, had the fairest of feet from his continual walking in the salt water and sand. Thus she chose Njord without knowing and thus was her fate. She was married to Njord - a union which did not survive.

As a concession, the Aesir took Thjazi's eyes and threw them into the heavens thus creating two new stars in the firmament.

The second condition was that the Aesir must make Skadi laugh.

Skadi? Laugh? Skadi was stern. She did not laugh.

Of course Loki was put into play. Loki was charming, Loki was clever, Loki didn’t worry much about the opinion of others (particularly if he was proving a point – he already knew that no matter what he did or said to benefit the gods, their opinion of him would remain the same). So Loki took the situation into his own hands. He felt a bit of humour at his own personal expense would certainly fix the situation.

Loki found a goat. He tied a cord to the goat’s beard. The other end, he tied to his own testicles. (Give him credit for this!) Thus, ensued a sort of ‘tug of war’. Of course the goat protested and Loki squealed. Eventually the cord loosened and Loki fell into Skadi’s lap. How couldn’t she laugh? Though distressed, Loki looked up and started to (albeit painfully) laugh and thus Skadi also began to laugh.

Thus the conditions were sealed.

Though Skadi and Njord’s marriage failed (another story) she lived amongst the Vanir and the Aesir in relative peace.

Loki? Well…he still managed to father children and brushed the whole affair off…

Though I believe he must have limped for a long time.

Eleanor Ford - November Winner of Joanne Harris' Runelight Competition

The Silver Bough wanted to write a Blog Interview/Article profiling the winners of Joanne Harris’ competition for her recently launched book Runelight.

http://www.joanne-harris.co.uk/v3site/books/runelight/index.html

The first and November winner of this competition is Eleanor Ford who created a video for the Runelight Competition, second in the series following the very popular, much loved and evocative Runemarks.

http://www.joanne-harris.co.uk/v3site/books/runemarks/index.html

Thank you Eleanor for emailing us with your profile.

We hope we hear from the December winner (Kaitlin) and January winner (Anna) in order to also include them in our Blog articles.

All three videos submitted are wonderful and all very different. The time, skill and thought which accompany these videos are truly amazing and show a great deal of love, inspiration and hard work.

ELEANOR
http://www.youtube.com/watch?v=ZldIugYoxQM

Eleanor chose ‘Aesk’ (Maddy’s rune from Runemarks) as the rune appearing on her silver pendant. This was the first ‘Aesk’ that The Silver Bough created so very special indeed.

Eleanor is 28 years old and lives in Shropshire (West Midlands in England) where she grew up. In her spare time she loves to read, reading almost 150 books last year! She has been reading since she can remember.

Eleanor: My favourite books always had a mystical twist to them somewhere, but somehow I ended up reading horror fiction as I got into my teens, at the time Stephen King was my favourite author. As I got older I started to like science fiction and fantasy novels more and more but the market for older readers always seemed to be aimed at men. I’d read the Harry Potter books a few years earlier, but hadn’t ventured into books for children or young adults since then, somehow I stumbled into reading Anthony Trollope! In early 2007 one of my friends got me back into reading fantasy fiction by suggesting that I would love to read the Eragon by Christopher Paolini, since then I’ve never looked back! Most of the books I’ve read since have been young adult science fiction/fantasy novels.

Eleanor: As it was over 4 years ago I don’t clearly remember how I discovered Runemarks, I do remember that I bought the book soon after it came out (and I also managed to win myself a signed copy through signing up for the newsletter on the official website!) It was the first fiction I’d read that was based on Norse mythology, in fact I can’t remember reading anything based on it since then either! Runemarks captured my imagination and I was fascinated by the Gods and the meanings of the runes, which is why when the video competition for Runelight was announced I was very excited to produce something to enter. The subject of the books is very inspiring and I found it very easy to produce the artwork I made for the video just from reading descriptions of the Gods.

Eleanor states that she has not yet read her copy of Runelight, but emphasises that this will be rectified soon.

Eleanor: I’m sure it will be as thrilling and fantastic as Runemarks is!

The Silver Bough: Eleanor, we assure you it is!

Eleanor we hope you will continue loving the books. We all look forward to the next in the series - be it a sequel or a prequel and of course thank Joanne for bringing the 'Gods' to life with her own touches. Long may the saga continue!

Winners - Runelight Competition Winner for November and New Designs

The Silver Bough are thrilled with the rune pendant ‘Aesk’ (Maddy’s rune from Runemarks and Runelight) which we created for competition winner Ellie. We were very pleased as when we posted the pendant to Joanne Harris she too loved it. Congratulations Ellie on a wonderful video!

The Silver Bough has officially added new designs to our shop: A bas relief large oval pendant (the same size as our large rune pendants) based on a stylised ancient Norse ‘dragon’ (a similar authentic design can be seen at the British Museum) and runic earrings (which are quite light and will not pull on the ear lobe). Although we love the more ‘antique’ oxidised finish of both the dragon pendant and the earrings, we will offer these in either an oxidised finish or a polished finish depending on our customers’ preference. The dragon pendant will have the actual bas relief dragon polished if desired.

In the case of the earrings if the oxidised finish is preferred we can also oxidise the earring wires (pierced) and will be soon offering the option for non pierced ears. As with our rune pendants, the choice of runes is dependent on our customers. If a customer prefers two different runes, that is also possible.

We will soon be working in bronze and copper – very beautiful metals and the cost will be lower than with 99.9% silver although we will always adhere to our top standards of hand craftsmanship and hand finishing.

We have completed and posted our first pendant to Australia. This has brought us around the world. Our sales have been UK based, North American based, Mauritian based and now Australian based. We are proud that each order has been loved by the people who have bought them.

The Silver Bough has also added to Joanne’s interpretations of ‘The old Script’ rune (which Joanne has drawn on from ancient Norse and Old English sources) from Runemarks and Runelight, along with her interpretation of ‘New Script’ runes. Readers of Joanne’s books now can have the rune pendants which coincide with her books. We happily await further sequels (and a prequel).

Of course I am so honoured and proud to be acknowledged in Runelight. Thank you Joanne! A very special book to me as she knows..And the characters are friends to me.

Our original photograph cards will soon be available and more will follow. Although these are not necessarily related to Norse or Celtic history/mythology (some of ancient sites are of course and some have that certain ‘flavour’) all photographs are beautiful. The cards are top quality and provided with an envelope and in a plastic sleeve to protect them.

If handmade rune cards (aside from our Yggdragsil cards) are desired these can be created as an individual rune or as a ‘Sigil’ which is a combination of runes. Any subject is explained on the back of the card.

We hope soon to be working in glass as I studied stained glass and we plan to launch votive lights (free standing and hanging), ‘sun catchers’ and sun catching mobiles in various themes.

The year is winding down. We will soon have ‘Christmas’ posting guidelines on our site.

All of our best.

B

Runelight Talk/Launch at York

Joanne Harris’ eagerly anticipated and wonderful novel 'Runelight' (sequel to her amazing, entertaining novel 'Runemarks') is on the cusp of its public sales launch on 3 November 2011. Of course The Silver Bough team is thrilled.

I had the privilege of being invited by Joanne to her talk/introduction to Runelight at York's ancient and amazing Merchant Adventurers' Hall. As always Joanne’s talk was compelling as well as informative and the wonderful audience’s comments and questions were interesting. Joanne excels in conveying not only her own talents as a story teller but also her knowledge of the Norse myths. She always brings her stories and characters to life.

Always charming, Joanne had her audience captivated. I personally love the fact that children of all ages embrace these books. However for me, even better was that the audience consisted of adult readers (young and older) who are all lovers of Joanne’s unique novels.

The Silver Bough is always so proud of Joanne’s writing and her wonderful support of our designs. However, most of all is the incredible friendship that has developed between us (prior to The Silver Bough’s own launch) and her wonderful daughter Anouchka and husband Kevin.

Both The Silver Bough and Joanne have a wondrous and deep seated love of the Norse myths, Norse history and archaeology.

All of Joanne’s themes (no matter what the genre) usually contain a subtle reference to each of her novels previously written. This is delightful to the observant reader.

We are honoured to have such a fantastic and supportive friend in Joanne. She is inspiring and to feel very much a part of this book and hopefully future sequels/prequels is a gift.

I personally am very proud of my mention in the acknowledgments in Runelight and have to say I couldn’t (and can’t) stop smiling. Yes, Joanne, I do love your characters probably as much as you do.

Regarding The Silver Bough – The Jorvik Centre organisers were wonderful. Danielle and Chris were lovely. We hope that we will be able to showcase our designs in York at the Jorvik Centre Shop. We have been approached by their shop buyer following an email from us and now hope we have the support of those involved in The Jorvik Centre. I thank Chris for his interest, Danielle for her hospitality and organisational skills. I am so glad that such an organisation exists to promote the ancient Norse history of York and these Isles.

The evolution of The Silver Bough has seemed to coincide with the evolution of the Runemarks/Runelight novels and hopefully will always grow with Joanne’s ongoing development of this series of books.

Becca

Runlight's Release and News from The Silver Bough.

23 days until the much anticipated release of Joanne Harris’ ‘Runelight’ the sequel to her original exciting novel ‘Runemarks’. Continuing on from the adventures of Maddy Smith, Jed Smith’s daughter who discovers that in reality she is the daughter of the Norse God Thor and Jarnsaxa of the Jotuns. Her life as an outcast amongst the Folk is turned upside down by the friendship of her mentor and friend, One Eye (Odin) and the crafty revelations of Loki, his blood brother. The adventures continue three years on whereby the Gods, bereft of much of their power once again must face the potential destruction of the Worlds by Chaos released by Loki via Dream in Runemarks into the world and they must also attempt to prevent a strange new alliance whose actions threaten to fulfil the ancient prophecies which would exacerbate this ruin. Who will die? Who will live? Who will come again? Will Asgard be reborn?

ttp://www.joanne-harris.co.uk/v3site/books/runelight/index.html

This Runemaker is looking forward to her invitation to Joanne’s introduction to Runelight in York at the Merchant Adventurers' Hall on 27 October (2pm), and seeing the ever mystic Posh Shed of creativity.

http://www.jorvik-viking-centre.co.uk/event-calendar/88-Joanne-Harris-introduces--Runelight/

Of course we are also looking forward to the release of Runelight which is a very special novel to me. Joanne has been a great friend and very inspirational in The Silver Bough’s evolution and of course in her support.

I promise our blog readers and Joanne’s readers that Runelight will not disappoint – it will however leave you craving the next book in this series.

On the Silver Bough news front the evolution seems to have accelerated from new techniques to new items offered on our site: Beautiful handmade Yggdrasil cards which have already proven popular in private commissions, followed soon by a selection of eclectic original photograph cards. We hope that these cards may be worthy not just as a beautiful card suitable for any occasion but something that the receivers will want to keep.

We have also created a Norse inspired stylised dragon bas relief pendant and this new method opens the door for many new design applications both as pendants, necklaces and rings. The finish on this pendant is more in line with actual finds as opposed to the smooth polish of our silver rune pendants, being oxidised a dark charcoal colour with hints at times of iridescence. However if requested the relief of the dragon could be polished along with the smooth back of the design. We love the feeling of antiquity this design and finish evokes. This pendant is 99.9% pure silver as are all of our silver designs.

The Silver Bough has been researching actual ancient Norse and Iron Age/Bronze Age/Celtic artefacts and trying to closely reproduce these. The first design has been a Mjolnir (Thor’s Hammer) found at a Viking grave site in York. We are also in the process of creating a Celtic ‘serpent’ ring based on an original find – although we have used a bit of our own artistic interpretation on this ring.

We also have ideas for a Norse Shield. There is always something new and exciting for us to enthuse over and hopefully for our customers to desire and appreciate.

As we are soon to be also working in bronze, larger designs will be more affordable as silver is currently at a premium and the costs rising quickly and regularly.

Next step? Setting gem stones in our designs; working in silver/bronze/copper sheet metal.

As they say – The World is our Oyster and it seems ‘pearls’ come in many shapes and sizes.

We thank all of our loyal customers who have purchased our designs and have expressed such appreciation and love for what they have received. It doesn’t get much better than that!

Taliesin's Revolt Against The Establishment

Even as a very small child Taliesin was able to inflict havoc on the dignity of Maelgwn Gwynedd’s Druidic Poetic company. Maelgwn Gwynedd was the King of Gwynedd (in Wales) who reigned from an unknown date until his death in c. 547. Mael Gwynedd is known more formally as Maelgwn ap Cadwallon (or in English, Maelgwn son of Cadwallon and also Maelgwn Hir Maelgwn the Tall).

Although Taliesin was made an Ollamh and head of that particular Druidic Council or Society by his foster father Gwyddno Garanhir. He preferred to use the slightly lesser title of Anruth, the bearer of the Silver Bough, a branch of wood festooned with bells. When an Anruth approached and then entered a hall, all knew to respect the Anruth and to stop and listen - for the Anruth sang and spoke of poems and tales (usually accompanied by a simple harp for unending hours) of the great deeds of heros, Kings and Queens, of romance, mysticism, and all that the people considered enlightening, proper and entertaining for the age. (A possible example is attached at the ending of this blog. A Minster Lovell Harp which with the help of a friend and expert harp maker was made by myself and is completely handmade with carvings, silver gilt, silver inlay and all natural materials, whether purchased or made)

In Taliesin’s infancy (childhood) after his adoption by Gwyddno Garanhir, the Poetic Company of Maelgwn Gwynedd went to the king to demand their payment as was due. These 'Bards' passed Taliesin, who was sitting quietly in a corner. Taliesin played ‘blerwm, blerwm, blerwn’ on his lips with his finger. They looked upon the child and of course promptly ignored him.

These great Bards then stood before the King to demand their payment. They stood in unison to ask for their just demands, but the only utterance they could make was ‘blerwm, blerwm, blerwn’. Thus Taliesin made fools of them.

Amazed at the behaviour of such revered and highly regarded Bards and Anruths, Maelgwn Gwynedd demanded to know if they were indeed drunk! Despite their fury at this accusation, the Bards were forced to admit that it was due to the ‘power’ of the child Taliesin which caused them to act in such a way.

Thus we see Taliesin as not only an acclaimed bard and Anruth, but also as a Trickster with great wit even as a a mere child. It is also claimed that he was a shape shifter as shown in other stories regarding his life.

It is debated whether Taliesin was indeed a verified historical person or a myth. There are texts which are allegedly written by him. Traditionally his grave lies in Wales. Taliesin, the greatest of Welsh poets who  grew up and lived in the area around Llangynfelyn. It is thought that he returned to this area in his old age to die and is buried in the hills about Tre-Taliesin, the village which carries his name. There they claim his grave is still in this place and according to tradition is to be seen.

I believe that myths, folklore and tales have their roots in forgotten imaginations which are based partially on fact, archaeological evidence and history and perhaps what was believed was imbellished in order to explain that which was 'unexplainable' at the time, or simply to make it more interesting, enjoyable and/or to add impact to the stories/beliefs. But consider that that they may well bear a seed of truth. As with any myth or belief, for me at least, they are often inspirational and who knows?
;)

International Musings

It is so rewarding to conceive that since our beginnings in 2010 we have become internationally respected designers. Our rune pendants and carved stone runesets have found homes as far as Mauritius, Canada, the U.S., England and Shetland (Scotland). The feedback we have received from our customers has been phenomenal. The talented and illustrious internationally acclaimed author, Joanne Harris (author of Runemarks, Runelight, Chocolat – amongst other amazing books) endorses us and has included us as Runemakers to provide rune pendants in an international competition for her soon to be released novel Runelight (sequel to Runemarks).

We cannot thank our customers and friends enough for their support and comments/suggestions.

Initially we provided velour velvet bags for the runesets, however after the suggestion of a customer that perhaps more natural eco-friendly bags would be more complementary, we have recently changed our bags to wonderful, quality, natural jute bags. This seems to have gone over very well. We also include parchment inserts with the runesets which explain the history of the various systems, definitions of the runes’ meanings, an idea of  how runes can be cast, along with a prologue from ‘Odin’, ‘Sayings of the High One’ (Poetic Edda) which describes the secrets of runes and his knowledge of spells.

As always, our runic pendants are supplied with sterling silver findings and an adjustable leather cord, presented in a beautiful velvet box along with a small parchment insert describing the rune according to the rune system ordered (Elder/Younger Futhark).

On our site we have examples of individual original designs (Jormangund – World Serpent, Double Spiral Celtic Ring and Yggdrasil handmade cards). Although we do not list these in our shop, queries and quotes are available upon request. The Yggdrasil cards have already been commissioned and we hope that these cards, along with a ‘Glastonbury Thorn’ design will be listed on our site very soon. We also will be introducing a large selection of original photo cards. We are constantly experimenting and evolving new products and designs including ‘charm’ bracelets which again we hope to be listing very soon. We also hope to be working soon in bronze and have a beautiful ‘reproduction’ of a Viking grave artefact, Mjolnir (Thor’s Hammer) which we hope we can ‘cast’ soon. Of course we always welcome commissions and custom designs.

Although our rune designs are simple, they convey a tactile pendant/stone rune and are historically accurate. As each item we make is completely hand crafted, each design will vary and be a unique piece that only you will own. No one will have a piece that is identical to yours.

We are thrilled that our designs have touched people across the globe. We pride ourselves on our workmanship and quality, both in creating our designs and in our presentation which of course is included in the price.

We must say we were particularly pleased when we received an order from Shetland. These remote and ancient islands are strongly associated with the Norse and to have one of our pendants find a home there has made us very proud indeed!

Believe us when we say that what we create is not just something that we sell, it is something that we put our hearts and souls into and every time we post anything we offer, a bit of us goes with it.

The Silver Bough Forums

We are pleased to announce the launch of our new Forum (Or Message Board as some of you might prefer).
Come and register (for free) and discuss all things Norse and Celtic with like minded individuals.
You might even make some new friends along the way.

There's a Norse section, a Celtic section and even an off topic section where you can discuss whatever you like (within reason  ;) )

So come and join up today

The Silver Bough Forums

RUNELIGHT

Following on from the amazing adventures of Runemarks, Joanne Harris has given us another glimpse into her realm of Norse Gods, demons, goblins, fantastic creatures and her young heroine, Maddy Smith. Enter a domain of adventure, deception, strategy, love, tragedy and a dollop of humour; where things are rarely what they seem to be.

Welcome to the compelling world of RUNELIGHT. Coming this Autumn to a book seller near you.

 

http://www.joanne-harris.co.uk/v3site/books/runelight/index.html

Odin - Part 1

'Then Gangleri asked, “Which Æsir ought men to believe in?”

'High answered, “There are twelve Æsir whose nature is divine.”

'Just-as-High added: “The goddesses are no less sacred, nor are they less powerful”

'The Third said, “Odin is the highest and oldest of the gods. He rules in all matters and although the other gods are powerful, all serve him as children do their father. Frigg is his wife. She knows the fates of mankind, even though she refuses to pronounce prophecies. So it is said here. Odin spoke with one of the Æsir, Loki.

'“You are raving, Loki,

and out of your mind,

why, Loki, do you not stop?

Frigg knows,

I believe the fate of all,

though she herself says nothing.”

(Loki’s flyting)’

Odin is called All-Father. He is the 'oldest' (though he was sired by Bor?), father of all the gods. He is called Father of the slain. All that fall in battle are his adopted sons. With the fallen he mans Valhalla and Vingolf. They are known as the Einherjar. Odin is also named Hang-God (god of the hanged), Hapta-God (god of the prisoners) and Farma-God (God of cargoes). Odin’s names are many.

Grim
Gangleri
Herjan, Hjalmberi,
Thekk, Thrid,
Thunn, Unn,
Helblindi, Har
Sann Svipal,
Sanngetal,
Herteit, Hnikar,
Bileyg, Baleyg,
Boverk, Fjolnir,
Grimnir, Glapsvid, Fjolsvid,
Sidhott, Sidskegg,
Sig-Father, Hnikud,
All-Father, Atrid, Farmatyr,
Oski, Omi,
Jafnhar, Blindi,
Gondlir, Harbard,
Svidur, Svidrir,
Jalk, Kjalar, Vidur,
Thror, Ygg, Thund,
Vak, Skilfing,
Vafud, Hroptatyr,
Gaut, Veratyr.
(The lay of Grimnir)

Do you wish to know more? These are the names. There are many.

The names were given as with all the languages of the world each name applies to the different tongues… to whom they might worship, to whom they might pray. Some names are derived from events that took place during Odin’s travels. Through these travels, evolve tales.

His wife Frigg is eventually banished due to an accusation of her infidelities, and yet Odin is certainly not beyond infidelity. His son is Thor whom we find Odin takes pleasure in deceiving and taunting. His blood brother Loki perhaps rebels against the ‘supreme’ fatherhood of Odin. Loki sees himself as Odin’s closest kin, equal of intellect but restrained.

Odin maintains his stance as the All-Father, Father of All, but Odin is not always honest, nor is his judgment always just. Plausibly through this, in the end, comes his ruin.

Odin is the All Father. And yet does he occasionally breach the line between masculinity and femininity? This accusation is submitted in the Lokasenna by Loki who makes his indictment. Odin is accused by Loki of practising Said on Samsey (‘beat on drums as witches do’). Loki can be father and mother and does not seem to feel it necessary to dispute his own masculine or feminine aspects. He, unlike Odin and the other gods, feels no need to deny what and who he is, nor deny his actions. He does, however, seem to crave the respect and acceptance of Odin and the other Æsir and Vanir, though in the climate of his standing with the other ‘gods’, he inevitably fails. Odin’s side is firmly as the ‘General’ with the Vanir and Æsir as necessary allies. Thus in his way Odin betrays his brother. The final result is Loki's 'betrayal' at Ragnarok leading to the end of the gods and the world.

In the ‘Sayings of the High One’ Odin contradicts himself by praising women, then warning the reader and criticising them as deceitful. His reflections are coloured by the advantages/disadvantages that women afford him in a given situation. However, within the ‘Sayings’ are relevant words (even today) from the All-Father and good and useful wisdom. Through his thoughts, one sees Odin’s fallibility, his ‘human’ nature, his insecurities, perhaps. Does this not bring this ‘god’, this All-Father nearer to mankind than many ‘supreme’ beings?

The Creatures Who Dwell in The Ash Tree Yggdrasil

There is an eagle who sits in the branches of Yggdrasil. It has the knowledge of many things. A hawk called Vedrfolnir (Wind Bleached) sits between its eyes. Ratatosk (Drill Tooth) is the squirrel who runs up and down the mighty ash. His words are of slanderous gossip and provokes the eagle and Nidhogg (the Wyrm). And many a god who has been annoyed by him. Dain, Dvalin, Duneyr and Durathror the four stags wander about in the branches of the ash and devour the tree’s foliage. There are more serpents under the ash than can be counted. Those Norns who live beside the Well of Urd draw water every day from the stream and splash this, mixed with the mud beside the Well over Yggdrasil so that it does not wither and decay. The water is so sacred that all things that come into contact with the spring become white and this is called ‘skin’ likened to the membrane on the inside of an eggshell.

I know an ash,

It is called Yggdrasil,

A high, holy tree,

Splashed and coated with white clay.

From it come the dew

That fall in the valleys.

It will always stand green over Urd’s Well.

(The Sibyl’s Prophecy)

The dew which falls to earth is called by people, honey dew and the bees feed on this. Two birds drink of the Well of Urd. They are swans.

A Word On Loki

He, who is the trickster, the traitor, the most intelligent aside from Odin. He who taunts with a serpents tongue which is silvered by his words and brings ire to the others of  the Vanir and Aesir. He who shifts shape from salmon, to hawk, to woman, to mare. He who is most beautiful and gives the gods, despite their mistreatment and spite, what the gods want and need. He who takes wives of other men into his bed and fathers their children or possibly cuts off their hair. He who devises the demise of  Baldr.

Who is he?

Here I think we find a parallel between times, and perhaps of racism, or the excuse of 'racism'. Loki is of the Jotun, the race of giants (it appears in some translations that only his father was considered of the giant race, which thereby signifies that he is considered of the same. As opposed to those whose mothers were giants). However the irony here is that ALL the Aesir were derived from the ‘giant’ race. This does not concur with our modern idea of ‘giants’ as being very large beings. According to the Eddas the giants were the first amongst ‘manlike’ beings of the worlds. However the Aesir consider themselves as ‘different’, as superior and therefore divorce themselves from the race of the frost or fire giants. Loki is still considered a part of the original race, although, as stated, beautiful and more intelligent. He still holds giants’ blood in his veins and as all giants are considered evil and cruel, thus is Loki labelled.

Although Loki is taken in by Odin as his blood brother…this in some translations is done by slitting their wrists and pressing the individual wrists together and therefore binding, he is despised by the other ‘gods’ as being an outsider and one of the enemy. I would compare this with certain modern cultures looking at other cultures and their ways and views as being ‘evil’. And I think this was simply one of many excuses to dislike Loki and his ways.

Loki works with his intelligence and wits to do the gods’ bidding. As he is Odin’s ‘brother’, he should be respected and considered as one of the highest of the ‘Aesir’. He is not. He is asked for advice and when the advice does not suit the gods he is bullied, threatened and tortured. Yet he still continues to work with the gods in his unorthodox ways, thus the gods attain the power and goals they crave. If it weren’t for Loki there would be no Bifrost, there would be no Asgard, the power of the gods would be diminished. And still he is treated as a dog that should be kennelled or as a slave and miscreant in many ways.

Loki’s intelligence and cunning is only matched by Odin’s. This is probably the reason why Odin has taken him in. Odin recognised this. And I imagine that Loki’s intelligence and beauty was a matter of seduction (read this how you will) between Odin and Loki. Neither were ‘saints’ and both were prone to straddling the line between masculinity and femininity.

Again in my opinion, I think that there was a mutual need and attraction between Loki and Odin. Perhaps as different in his ‘race’ Loki wanted out of the Jotun culture and Odin recognising Loki’s gifts and appreciation of his ‘talents’ wanted Loki as an ally.

When we read of Loki, he is usually viewed by readers to be evil. He was simply a product of his environment and of himself. The ‘imprisonment’ of Loki prior to Ragnorak was an unjust and extremely cruel and barbaric act. His two sons by Sigyn were murdered. One was changed into a wolf which tore apart the other. The second’s intestines were used to create the chains that bound Loki to the rock, whereby a serpent (reflection of his son/daughter Jormangund) was suspended above him. His wife caught the venom dripping onto Loki’s face (causing extreme agony and thus as is Loki’s nature, earthquakes). But every time she emptied this bowl he faced more venom and agony. Now a time for reflection. What kind of an idiot was Sigyn? Two bowls…empty one, use the other for collection…of course without being too hard on Sigyn, there is the element of necessary breaks.

Then one thinks WHY did Loki marry Sigyn? Sigyn, the epitome of virtue, ever loyal and loving? Perhaps to gain acceptance? To mimic Odin in his marriage to Frigg? Loki’s famous liaison with Angrboda makes one ponder…three unusual demon children with a demon mother… He moves on to a compassionate if not particularly clever woman. I think it is clear. There is little said of Loki’s first ‘wife’ and his daughters. But one must assume from the bit of information we have, his first wife was not the usual, nor were his daughters.

Loki perhaps wanted the same love, affection and respect that the other gods received. Baldr the Beautiful was loved by all (except Loki). Baldr wasn’t the swiftest of thinkers and none of his decisions are ever effective, though considered wise (perhaps a label due to the love he garnered?). His demise was caused by Loki shifting his shape to a woman (a hag?) and thereby gaining this secret information from Frigg, Baldr’s mother. (Again think…Frig the Seeress couldn’t see beyond Loki’s disguise and divulged crucial information to a complete stranger? Doesn’t make sense.)

There you have Loki who is beautiful and a swift thinker and despised by family and all others. After constant abuse can you see now why someone with a heritage such as Loki’s, his upbringing, his sincere desires and efforts, would corrupt him further? I think we can understand this. The submissive would accept this and acquiesce. The strong willed and fiery will eventually rebel. Thus Loki does at Ragnorak after his escape from imprisonment and it is never clear HOW he escaped.

Loki tries to please. He goes to great lengths to please. His dark humour and willingness to jeopardise his own ‘person’ often lights up these stories.
His ordeal with the goat, tying the animal to his testicles in a 'tug of war' in order to make Skadi laugh is an example. His duping Thor to pose as Freya after a promised betrothal to the giant Thrym shows his humour and wits.
Still in the end he is suppressed and called a fool and a traitor. Can we blame him? I certainly can’t.